Turkey is a strategically important nation, poised geographically and symbolically between Europe and Asia, often seen as the country that will bridge the gap between the West and the Middle East. But the tensions at the heart of Turkey are becoming increasingly severe. A fierce struggle is taking place between modernity and tradition, secularism and Islamism, democracy and repression—often in unlikely and contradictory combinations.
While living in Turkey for four and a half years, I was surprised at how quickly change was taking place: landscapes, towns, and cities reshaped, an extensive road network under construction, town centers "beautified," and large apartment blocks springing up at a rapid rate around every town and city. Almost always, the architecture and infrastructure follow the same blueprint. Cities are becoming carbon copies of each other. This modernization is designed to handle the mass migration from village to city that is transforming Turkey. Istanbul, a city of a million people in 1960, is now one of the world's largest urban sprawls with an estimated population of over 15 million. The migration is raising a host of new issues.
One of the most immediate concerns is the rapid disintegration of community in Turkish villages and towns. The low-cost housing projects replacing these communities are a model that has generally failed in Europe, though it is too early to tell how they will work in Turkey. My work seeks to address and question this process of modernization, urbanization, and national identity that is happening at breakneck speed against a rising tide of nationalism and religion. I have chosen to represent the changes by focusing on the quiet everyday life that most people in Turkey experience.

Biography

George Georgiou was born in London to Greek Cypriot parents. He has photographed extensively in the Balkans, Eastern Europe and Turkey for the last decade, living and working in Serbia, Greece and for the last four years, Istanbul. His work is focused on identity and people caught between communities, cultures, and ideologies. Awards include two World Press Photo prizes in 2003 and 2005, a Pictures of the Year International first prize for Istanbul Bombs in 2004 and a Nikon Press Award UK for best photo essay 2000. In September 2008 he joined Prospekt Agency, Italy.

www.georgegeorgiou.net