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| Anna Maria De Antoniis |
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Body scanner
Body scanner is the device of imaging of the whole body, used for the safety in the airports of the globalization. Potentially the bodies scanners don't respect the privacy of the passengers because the images could be filed and riutilizzate in an "inopportune" way. The problem of the health exists also: some instruments work to low issue of rays x, others with radio's waves of hight frequency.
But Body scanner is also the metaphor of the themes of investigation of this photographic project.
The differences (and the reciprocities) among expressive languages (color photographs and in black and white "hand-sewn" to overcome the partition between colours and black and white) evoke new runs of signs. The visual perception notices spaces, lines and forms that have proportions and different perspectives; here, the showy seams give only an appearance of likelihood, reporting, in reality, deep discrepancies. The sew ones are not photos but pieces of paper perforated and crossed by the thread: the sketch is a plot that is to the of here and beyond the deceptive plan of "bidimensional", creating a spatial concept that invites to go over the representation.
Parts of female bodies are sewings to parts of masculine bodies in the intent to sew the tears that divide, and the communication they don't make possible.
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Biography
Anna Maria De Antoniis is graduated in Painting, after having gotten the artistic maturity. Her studies sketch following the lessons of the korean artist Woo Gi Yun. She achieves the qualification to teach "Pictorial Disciplines", specialization for "Support" and the qualifications to teach "Art and Image" and "history of the art". She develops the acquire professional competences carrying out the teaching of "Theory of the perception" and "psychology of the form" at Accademia di Belle Arti Lorenzo da Viterbo, of Viterbo. Currently she teach "Art and Image."
From 1998 she begun to expose her works.
She leads the artistic search and the theoretical activity on the study of the visual perception. Subsequently she realizes a project studing the body perception on the photographic field, and the dominance of the colour upone the artificial light realizing various photographiccolour jobs. She deepens the studies on enigma and metaphysics and produces numerous photographic jobs in black and white. Progressively she begins her search on the mixture of the connected expressive languages to visual perception, hybrid, androgynous, chimera and "not representation."
Currently her search occupies her over the new languages of the art, in particular way new technologies and digital video.
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